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The
Widowmaker
'Heat Of The Night'
©2006
Gene Cartwright
A
serial killer with an elaborate m.o. and macabre
sense of humor is loose in LA.
But
this killer, who defies the FBI profile, is unlike any the LAPD
has ever encountered: The victims are prominent married men involved
in adulterous affairs. They and their lovers are found murdered
by close range blasts from a .44 magnum.
Even
jaded, veteran homicide cops are horrified by the brutality, intrigued
by the killer's consistency and baffled by the apparent amount
of time spent by the killer at the post-crime scene. What's more,
this killer has a penchant for 60's music, particularly Sam Cooke's
'Frankie and Johnny.' Why? The work of vengeful wives?
Perhaps.
Someone wants the cops to think so. A battered police department
feuding with the FBI, slams into a brick wall.
Solution:
Call
John Roméo (he insists Ro-may-o). Roméo is a cocky,
Harlem-born, Black, 38 year-old retired L.A.P.D. homicide whiz,
turned multi-millionaire Beverly Hills author and screenwriter.
Some question his name, his style, and his self-confidence that
borders on cockiness, but no one questions his expertise. You
either love or hate Roméo; there is no in-between. He has
an eye for beauty and a nose for murder.
John's
former commander, Captain C.E. 'Bear' Nicholson, realizes there's
no love lost between John and his envious former comrades, but
he's got no choice. John, pressed by a producer to finish rewrites
and by his publisher to complete a manuscript, tries to say 'no'
to the Captain.
His
friend, Skeeter, a salty LAPD veteran and John's mentor, warns
him to avoid the case. However, John realizes that his considerable
ego and his love of a challenge will prevail. He'll have one more
chance to prove he has no equal.
However,
the hunter becomes the hunted. Despite his choirboy facade, Roméo's
no saint. His live-in, French-Somalian fashion-model girlfriend,
and his recently divorced wife, Claire, both love him deeply and
dislike each other even more deeply.
Assaulted
by the tabloids, he is faced with the allure of the beautiful
psychologist, Dr. Diane Deauville, hired to assist him.. And now
someone wants him dead, but not before trying to discredit him.
In the end, neither John nor the city's power elite are prepared
for what he uncovers.
John
Roméo has many stories to tell. The WIDOWMAKER is just
one of them.
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